And Our City Was Ours

 
 
 
White thrown with blue cushions and colorful jewels in front of an aqua background. The background has 3D square reflective shapes attached to them.

Photo by Nandi Comer

And when the Outers left there was so much space.

We took to our parking lots, our downtown plazas.

Some of us drank their wine and sat in their cafes

without fear or the cold blue watch. We cruised our island,

perched barefoot on our stone whitewashed bridge.

Without the Outers designing their cul-de-sacs or

plowing up our lots, or tearing down our houses, we

tricked out our cars, confetti lit our bikes, and blasted

Blade Icewood from our kitchen windows.

And yes, we still slept uncomfortably bent

around the lumps of our mattresses. We awoke

in the same nightmare sweat, and reached

for one another’s thighs in our darkness

Who knew there was another kind of sleep?

The Outers had mythologized our city, a theater of tragedy.

No one told us it called for sadness. Without them

we licked sauce from our fingers. While they screamed

about taxes, and comutes and stolen Amazon boxes,

we contented ourselves with dance battles.

We laughed at the Outers

and their ill-preparedness for drought. We

didn’t clock in at work. We made each other gifts

of vegetable bundles and lavender oil. We did not serve

the Outers. We returned to our river. We left our houses

and threw white parties in our black, black, black as asphalt streets

In The Air II

IN THE AIR II: VOICES FROM DETROIT AND BEYOND A BILLBOARD EXHIBITION PRODUCED BY THE ELAINE L. JACOB GALLERY IN COLLABORATION WITH KRESGE ARTS IN DETROIT AND THE JAMES PEARSON DUFFY DEPARTMENT OF ART AND ART HISTORY, WSU. THE SERIES, CURATED BY TYANNA J. BUIE, INCLUDED WORKS CREATED BY LOCAL AND NATIONAL ARTISTS FEATURED ON A BILLBOARD, LOCATED AT THE CORNER OF WOODWARD AND E. FOREST IN DETROIT.